Hymn Harmonizations for Organ, bk. Schirmer 867 (M-D) A retrospective summary statement in the form of a doxology of judgment31 follows this pivotal line in verse 18. H W Grey GB 644 [1978] I love the LORD, for he heard my voice; he heard my cry for mercy. Four times the psalmist repeated the phrase, “His lovingkindness is everlasting.”. ... in fact, be said to be the theme of the entire psalm. Dobrinski, Cynthia. Third, the sermon should encourage the congregation to make the central confession of verse 27: “The Lord is El!” In fact, it should persuade each member of the congregation to personally appropriate this crucial profession of faith with the words of verse 28: You are my God (El), The fourfold repetition of “encircled” emphasizes, on the one hand, that there was no escape from the enemies and, on the other hand, the magnitude of divine deliverance.23 Two graphic similes in verse 12 describe the swarming attackers (“like bees”) and, at the same time, their total destruction.24, The triple staccato account of the king’s distress in verses 10-12 reaches its climax in verse 13 that falls outside of this rhythmic pattern. And also with you. Apparently this was part of an entrance ritual whereby the righteous would gain admittance to the temple (Ps. Consequently, when believers experience such rejection, they can place their hope in the Lord’shesed and pray. As such, however, a comparison with the textbook example of this type of psalm, Psalm 30, shows that it is unique. 11 Wilson maintains that Psalm 118 does not belong to the . Verse Concepts. I. Canonical Position in the Old Testament. Sermon Notes Prayer is important for contemporary believers who live between the first pronouncement of the short blessing formula in Matthew 21:9 and the second future pronouncement in Matthew 23:39. PsH The Psalter Hymnal (Christian Reformed Church; Faith Alive Christian Resources) Bach, J. S. Organ Works, vol. Organ: Psalm 118 closes with a personal declaration of worshipping God with praise (verse 28) and the same opening call to thank God for His goodness and … Ps 106:1; 107:1; 136:1ff. 16 Erhard S. Gerstenberger, Psalms, Part 2, and Lamentations, The Forms of Old Testament Literature, Volume XV (Grand Rapids: Eerdmans, 2001), 302. Moreover, various voices are heard in Psalm 118. 25 For this paragraph see: Gerstenberger, Psalms, Part 2, 304. Psalms 118:4 is a chorus; the whole procession, the living: and the dead who are raised to meet Christ ( 1 Thessalonians 4:16), shout aloud the burden of the song, Psalms 118:1. Of Music: "Lift Up Your Heads, O Gates” [see music notes] following corpus, which he understands to run from Psalm 118 to . Augsburg 11-9292 These prominent rhetorical features of Psalm 118 enhance its dramatic effect and can best be explained in terms of the liturgical origins of the psalm.6 Originally Psalm 118 was probably a liturgy for a thanksgiving processional.7. As we have noted above, Psalm 118:25a and 26ab were cited in the Gospels on the occasion of Jesus’ triumphal entry. I shall enter through them, I shall give thanks to, Praise » Is due to God on account of » His mercy, Praise » Is due to God on account of » His goodness, The goodness of the lord » The lord being good, Confidence » Who not to put your confidence in, FALSE » Trusts » Trust in man, warnings concerning, Wicked people » Compared with » Fire of thorns, Wicked, the, are compared to » Fire of thorns, Warfare of saints » Saints » Helped by God in, natural Death » When averted for a season, is a motive to increased devotedness, Declaration » Declaring the lord and his works, Gates » Of the temple » The pious israelites delighted to enter, Gates » Of the temple » Called gates of righteousness, Jesus Christ » Messiah » Messianic psalms, Rejection » The stone which the builders rejected, Gates » Of the temple » Called gates of the lord, Praise » Is due to God on account of » Answering prayer, Prayer, answers to » Saints » Praise God for, Christ » Conqueror of death » Corner-stone, Christ, the head of the church » Predicted, Prophecies respecting Christ » His being rejected by the jewish rulers, Stones » Figurative » Of Christ's rejection, the rejected conerstone, Wonderful » Works of God » Referred to as "the lord's doings", Works of God » Referred to as "the lord's doings", Days » A time of festivity called a » Day which the lord has made, Feast of Tabernacles » Customs observed at » Singing hosannas, Altar » In the tabernacle » Uses of the horns, Altar of burnt-offering » Sacrifices bound to the horns of, Cord » Ancient uses of » Leading or binding animals, Light, spiritual » Believers' duty performed in » God a, Sacrifices » Were bound to the horns of the altar, Glorifying God » Saints should » Resolve on, Glorifying God » Saints » Should resolve to. Ps 119:175; Is 38:18-19. “This is the day that the LORD has made; let us rejoice and be glad in it!” (118:24). Furthermore, it should be noted that hesed implies an action; one does hesed. Do not sit by yourself or lie on a couch, hanging and ... As the procession moves along, the theme of rejoicing is … Psalm 118 is also read throughout the Feast of Tabernacles (Succot) and is highlighted on the final day known as Hoshannah Rabbah, taken from Psalm 118:25. Psalm 118 is the last of six “Egyptian Hallel” psalms (Ps 113-118) that are framed by the twin Psalm 111-112 and 119.3 These psalms were used in connection with the three great Old Testament religious festivals. Psalm 118 is one of the more prominent psalms that was used to interpret the death and resurrection of Jesus.2 Because of its use in Jesus’ triumphal entry into the city of Jerusalem, Psalm 118 is a good text for a sermon on Palm Sunday. The function of this priestly benediction in verse 26ab is debated. 34 For gates see Ps 24:7, 100:4, Is 26:2 and Jer 7:2. Psalms 118 (Contemporary English Version) Tell the LORD how thankful you are, because he is kind and always merciful. that we have lived bad lives. Suggestions for prelude, based on the entrance hymn include: ST. THEODULPH / VALET WILL ICH DIR GEBEN/WIE SOLL ICH DICH EMPFANGEN [All Glory, Laud and Honor], Organ: Music Notes: Suggestions for offertory music can be found in the following resources: VINEYARD HAVEN [“Lift Up Your Heads, O Gates”] This key exegetical question has been a matter of constant debate.9 In view of the apparent allusions to military engagements in verses 10-13, victory songs in verses 14-16 and communal participation in the thanksgiving processional, the exposition below adopts the view that the speaker is a Davidic king, who leads Israel in a liturgy of thanksgiving on the occasion of a major victory in a hard-fought battle (cf. 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